Gratis The Chinese Written Character as a Medium for Poetry de Ernest Fenollosa PDF [ePub Mobi] Gratis
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The Chinese Written Character as a Medium for Poetry de Ernest Fenollosa
Descripción - Críticas 'This book is the definitive critical edition of Fenollosa's important work. After a substantial Introduction, the text as edited by Pound is presented, together with his notes and plates. At the heart of the edition is the first full publication of the essay as Fenollosa wrote it, accompanied by the many diagrams, characters, and notes Fenollosa (and Pound) scrawled on the verso pages. Pound's deletions, insertions, and alterations to Fenollosa's sometimes ornate prose are meticulously captured, enabling readers to follow the quasi-dialogue between Fenollosa and his posthumous editor.'-Project MUSE Reseña del editor This important and much-disputed essay edited by Ezra Pound from the manuscript of Ernest Fenollosa (and published in Instigations, London, 1920) has since gone through several editions, despite the ridicule of such sinologists as Professor George Kennedy of Yale, who called it 'a small mass of confusion. The old theory as to the nature of the Chinese written character (which Pound and Fenollosa followed) is that the written character is ideogrammic-a stylized picture of the thing or concept it represents. The opposing theory (which prevails today among scholars) is that the character may have had pictorial origins in prehistoric times but that these origins have been obscured in all but a few very simple cases, and that in any case native writers don't have the original pictorial meaning in mind as they write. Whether Pound proceeded on false premises remains an academic question. Let the pedants rave. An important extension of imagist technique in poetry was gained by Pound's perception of the essentially poetic nature of the Chinese character as it is still written.
Detalles del Libro
- Name: The Chinese Written Character as a Medium for Poetry
- Autor: Ernest Fenollosa
- Categoria: Libros,Literatura y ficción,Historia, teoría literaria y crítica
- Tamaño del archivo: 7 MB
- Tipos de archivo: PDF Document
- Idioma: Español
- Archivos de estado: AVAILABLE
Gratis The Chinese Written Character as a Medium for Poetry de Ernest Fenollosa PDF [ePub Mobi] Gratis
The Chinese Written Character as a Medium for Poetry ~ The Chinese Written Character as a Medium for Poetry BY ERNEST FENOLLOSA [ This essay was practically finished by the late Ernest Fenollosa; I have done little more than remove a few repetitions and shape a few sentences. We have here not a bare philological discussion, but a study of the fundamentals of all esthetics.
The Chinese Written Character as a Medium for Poetry ~ This, the first critical edition of Ernest Fenollosa’s The Chinese Written Character as a Medium for Poetry, is a milestone in literary scholarship. Haun Saussy and his colleagues have produced an indispensable book—one that shows precisely how Ezra Pound, reworking Fenollosa, “invented” the China we have come to accept as central to his poetry—and to 20th century poetry in general.
The Chinese Written Character as a Medium for Poetry: A ~ The Chinese Written Character as a Medium for Poetry Book Description: First published in 1919 by Ezra Pound, Ernest Fenollosa's essay on the Chinese written language has become one of the most often quoted statements in the history of American poetics.
The Chinese Written Character as a Medium for Poetry ~ Division of the Humanities / The University of Chicago Wieboldt Hall, Room 301, 1050 East 59th Street Chicago, IL 60637 tel: 773.702.1255 fax: 773.834.1323 ealc .
The Chinese written character as a medium for poetry ~ Get this from a library! The Chinese written character as a medium for poetry,. [Ernest Fenollosa; Ezra Pound]
The Chinese written character as a medium for poetry (Book ~ OCLC Number: 9080371: Notes: Cover title. Contents.--Confucius: The unwobbling pivot [Chung yung] & The great digest [Ta hsüeh] translated by Ezra Pound with notes and commentary on the text and the ideograms together with Ciu Hsi's "Preface" to the Chung Yung and Tseng's commentary on the Testament, p.[1]-48.--The Chinese written character as a medium for poetry by Ernest Fenollosa; an ars .
The Chinese Written Character as a Medium for Poetry: A ~ The Chinese Written Character as a Medium for Poetry: A Critical Edition. In this Book. Additional Information. The Chinese Written Character as a Medium for Poetry: . summary. First published in 1919 by Ezra Pound, Ernest Fenollosa's essay on the Chinese written language has become one of the most often quoted statements in the history of .
The Chinese Written Character as a Medium for Poetry ~ His "The Chinese Written Character as a Medium for Poetry" not only provides thought-provoking material, it gives us the opportunity to sense the character of this impassioned man. The book goes far beyond its initial focus on Chinese written language, addressing the question of fundamental differences among languages.
THE CHINESE WRITTEN CHARACTER AS A MEDIUM FOR POETRY ~ Lipsey, Robert; Angelic Mistakes: The Art of Thomas Merton; New Seeds Publishing; Boston & London; 2006; p. 100. Fenollosa, Ernest and Ezra Pound, ed.; The Chinese Written Character as a Medium for Poetry; City Lights Books; San Francisco, California; 1936; p. 9.. This example has been published in both Fenollosa (p. 8) and Michaux (p. 43). It shows three characters, all containing legs. To .
The Chinese Written Character as a Medium for Poetry (豆瓣) ~ The Chinese Written Character as a Medium for Poetry 作者 : Ernest F. Fenollosa / Ezra Pound 出版社: Fordham University Press 副标题: A Critical Edition 出版年: 2008-3-15 页数: 240 定价: GBP 22.50 装帧: Hardcover ISBN: 9780823228683
The Chinese Written Character as a Medium for Poetry ~ List of Illustrations ix Conventions xi Preface xiii Fenollosa Compounded: A Discrimination Haun Saussy 1 The Chinese Written Character as a Medium for Poetry: An Ars Poetica Ernest Fenollosa, with a Foreword and Notes by Ezra Pound (1918, 1936) 41 Appendix: With Some Notes by a Very Ignorant Man Ezra Pound 61 The Chinese Written Language as a Medium for Poetry Ernest Fenollosa (final draft .
The Chinese Written Character as a Medium for Poetry: A ~ Buy The Chinese Written Character as a Medium for Poetry: A Critical Edition Critical by Fenollosa, Ernest, Pound, Ezra, Stalling, Jonathan, Klein, Lucas, Saussy, Haun (ISBN: 9780823228690) from 's Book Store. Everyday low prices and free delivery on eligible orders.
The Chinese Written Character as a Medium for Poetry by ~ The Chinese Written Character as a Medium for Poetry book. Read 26 reviews from the world's largest community for readers. This much-disputed essay edite.
The Chinese Written Character as a Medium for Poetry: A ~ This, the first critical edition of Ernest Fenollosa’s The Chinese Written Character as a Medium for Poetry, is a milestone in literary scholarship. Haun Saussy and his colleagues have produced an indispensable book―one that shows precisely how Ezra Pound, reworking Fenollosa, “invented” the China we have come to accept as central to his poetry―and to 20th century poetry in general.
The Chinese Written Character as a Medium for Poetry 短评 ~ 作者: Ernest F. Fenollosa, Ezra Pound 副标题: A Critical Edition isbn: 0823228681 书名: The Chinese Written Character as a Medium for Poetry 页数: 240 定价: GBP 22.50 出版社: Fordham University Press 出版年: 2008-3-15 装帧: Hardcover
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Ernest Fenollosa - Wikipedia, la enciclopedia libre ~ The Chinese Written Character as a Medium for Poetry, composed by the Ernest Fenollosa, edited by Ezra Pound after the author's death, 1918. Existe edición crítica de 2008. Traducido al español en 1977 y más tarde con el título El carácter de la escritura china como medio poético. Introducción y traducción de Mariano Antolín Rato.
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About: Ideogrammic method ~ The Ideogrammic Method was a technique expounded by Ezra Pound which allowed poetry to deal with abstract content through concrete images. The idea was based on Pound's reading of the work of Ernest Fenollosa, especiallyThe Chinese Written Character as a Medium for Poetry, composed by Fenollosa but edited by Pound after the author's death, 1908.
